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Exhibition Archive

Winter Exhibition
5th December – 24th December 2020

Winter Exhibition at Twenty Twenty Gallery

Our ever popular Winter Exhibition featuring an eclectic mix of painters, potters and printmakers, plus lots of seasonal gift ideas.

Main image above: Matthew Wood ‘The Brecon Beacons from Clee Hill’  Oil on board. 2020. 12 x 29.5cm

 

 

PARTICIPATING ARTISTS

Tamsin Bridge

“I am interested in exploring the nature of story: its ability to shape shift in response to time, place and telling. Common themes include fairy tale, forest, and memory. Freud’s concept of the Uncanny informs my work, particularly the way in which memory surfaces in unexpected places and at odd moments together with theories of ‘Deja vu’ and the relationship we have with reflection, inner and outer. I walk to process my thoughts. These walks and related thoughts, feelings and personal memory create further story and I find myself focusing on following and trying to understand these endless labyrinthine connections. I see my current work as part of a never-ending story growing ever more complicated and compelling for me. A welcome conundrum of sorts.”

Left: All the World’s a Stage I. Digital photograph, watercolour and 24 carat gold leaf. 33.5 x 43.5cm.

VIEW TAMSIN’S WORK

Sue Campion RBA

Sue Campion RBA is primarily a colourist. She works in oil and pastel combining wonderful rich colours with a strong sense of pattern and design. The subject of her works range from Shropshire hills and portraits to the Thames, southern Europe and Australia.
Originally Sue trained as a display artist in London during the 1960’s. She left England and lived abroad in Spain and America before returning to England and opening a gallery. She then returned to college and studied Fine Art at Nottingham Polytechnic. Sue works from her studio in Shrewsbury and paints the Shropshire landscape as well as travelling and painting in Spain, Italy and Australia. She has had many solo and group shows and has work at Rowleys House Museum and the Courtauld Institute.
Sue Campion is a member of the Royal Society of British Artists.

Right: ‘The House on the Hill’ Pastel  14″ x 16″

VIEW SUE’S WORK

House on the Hill

Eleanor Glover

I am an artist/maker based in Bristol. My passion is to create new ways of expressing personal narrative; casting my own stories through mixed media sculpture, shadow theatre, and book arts, and working therapeutically with adults and children to help them communicate and acknowledge theirs.”

Right: ‘Red Cup with Pagoda’ Mixed media drawing. 32 x 30cm

VIEW ELEANOR’S WORK

Ann McCay

“My recent paintings return to some recurring themes: familiar landscapes, vegetation, sheds,interiors and a cast of characters and objects that I have developed and added to over the years. The heightened colour and strong contrast of light and shade in my paintings gives a luminous and dreamlike quality to my work.
Starting out with a degree in Fine Art from Bristol Polytechnic in the 1980s, I worked as an artist in Spain, returning to London and becoming a professional portrait painter, exhibiting with the Royal Society of Portrait Painters and the BP Portrait Awards.”

Right: ‘The Conversation’ Oil on linen. 20 x 20cm

VIEW ANN’S WORK

Eleri Mills

“Landscape has remained at the heart of my work from the beginning – there are often mythic and cultural associations in my mind as I create, whether the inspiration is my familiar ancestral landscape here in Mid Wales, or a distant far off landscape such as the Himalayan foot hills I recently encountered during a residency in India. These can be real or imagned places – landscapes of the mind – landscapes without borders….
My instinct has always been to embrace different materials and methods i.e. painting, textile and printmaking traditions and enjoy working in all these areas. However, I regard the process or medium as incidental in the end, as it is the content of the work which is my main concern.”

Left: ‘On the Backroad’ Charcoal on paper 2020 36 x 43cm

VIEW ELERI’S WORK

Carol Saunderson

“My paintings are not usually direct representations of a scene; they are mostly semi-abstract works that I use as a way of recording the aspect that remains uppermost in my memory. They evoke the sensation of a moment in time in a particular location. For me, they are more ‘real’ than a photograph.
I walk each day in the countryside around the Suffolk village in which I live. The familiar fields, woods, paths and animals find their way into the work. I watch the light move across the landscape or through the trees, continually changing the colours and the atmosphere.”

Right: ‘Warm Winter Fields’ Acrylic on board. 24 x 17.5cm

VIEW CAROL’S WORK

Peter Tarrant

Peter’s background and his love of rural Shropshire heavily influence the subject matter of his work. He is fascinated by folklore, rural life, natural history, geology and farming and his highly detailed pictures are woven with a mixture of fantasy and realism. Working mainly on paper with mixed media he interweaves rich colours and textures that form: a canopy of trees, a carpet of leaves, whilst lines of vivid colour outline cows and sheep that appear as if from another world.

Left: ‘The Sentinal’ Gouache on paper. 24 x 60cm

VIEW PETER’S WORK

Matthew Wood

“I produce paintings on location and in one sitting be they landscape or interior. Working from primary observation I have developed a method and technique that is both expressive and direct. The challenge of creating a successful painting in sometimes adverse conditions – from rain and snow storm to darkened corridor or church – adds to the experience of the process of painting. All works are produced on board, with the landscapes in oil and interiors in gouache, the dark contrasting tones of the interiors counter-balancing the softer harmonious perspectives used in the landscapes.”

Right: ‘The Brecon Beacons from Clee Hill’ Oil on board 12 x 29.5cm

VIEW MATTHEW’S WORK

Zoë Taylor

“Inspired by our native landscape, I try to evoke those weather filled days that we are so used to in this country. Those days that are more rain and wind than blue skies and sun.

The land and weather here in Britain have made us who we are and are intensely emotional, powerful forces that are part of our very soul.
Quickly made sketches in the field inform my paintings which are not directly representational but are a mix of responses to place, time and weather. The paintings I produce are rarely of one specific recognisable view but a fusion of surroundings and feelings towards that place.”

Right: ‘Marginal’ Mixed media on canvas. 50 x 50cm

VIEW ZOË’S WORK

Sharon Griffin

Sharon Griffin is a figurative artist who specialises in ceramic sculpture and fine art painting. Sharon is directly inspired by the woodland where she often explores places in which to ‘breathe’. The textures, the smells, the secret spaces all provide a kind of ‘awakening’. Sharon uses the figure to help communicate a sense of deeper meaning within humankind and of her own experience of being a woman. The sculptures represent a state of being; internal struggles of love, loss, displacement, vulnerability and strength.

Right: ‘Blossom’ Stoneware. 30cm high

Watch Sharon making a Faun above

VIEW SHARON’S WORK

Tamsin Abbott

Tamsin completed a degree in English literature (First Class Honours) at Stirling University (1985 -1989) where she specialised in medieval literature. Her love of the language and stories of medieval literature was enhanced by the fact that much of the research material she was reading was illustrated with paintings and simple woodcuts of the period.
After leaving university Tamsin moved to Herefordshire and returned to college to complete a foundation year in art at Gloucester College of Art and Technology where she discovered the highly influential work of the Brotherhood of Ruralists. In 1999 she began an evening class in stained glass at Hereford College of Art and Design and soon gained an OCN in the craft but continued the course for a total of four years.
Tamsin works from her studio in the Herefordshire countryside where the orchards, the hills, the woods and all the plants, birds and animals influence her work.

Right: ‘Care for the World – (Dawn Angel) ‘ Stained glass. 294 x 213mm 

VIEW TAMSIN’S WORK

Amanda Banham

“I enjoy printmaking and storytelling and decided to apply these to ceramics. I have a degree in Illustration which I combined with ceramic practice and work out of my studio in Essex surrounded by my two dogs and radio 4.
My ceramics are made in stoneware and screen printed with my illustrations. They are all house trained and dishwasher proof.
My houses are made in ‘grogged’ porcelain and are then raku fired to produce their crackles and exciting colours. The houses are home to weird and wonderful characters who I hope will behave themselves in your home, I often write stories about my houses on Instagram. The houses are not dishwasher proof which is usually not a problem unless the inhabitants have a food fight.

Right: ‘Tree House’ Raku ceramic. 15.5cm high

VIEW AMANDA’S WORK

Prue Cooper

Prue Cooper’s slipware dishes are meant to be used: to celebrate friendship, generosity, and the sharing of simple pleasures.
The simple press-moulded shapes are sometimes decorated with inscriptions, the overall design of the dish echoing the sense of the words. The lettering is done freehand very fast using slip clay.
They are often ordered for special occasions, as wedding presents, or birthday presents, or for christening, anniversary or house-warming presents.
Usually these are existing designs, but special commissions are also undertaken.

Right: ‘People Must Have Puddings’ Decorated slipware. 25 x 28cm

VIEW PRUE’S WORK

Dan Reid

“I went to Middlesbrough Art college and then to Herefordshire college of Art taking the Design Crafts Course. After leaving Art College, I was self-employed for a number of years as a crafts person before doing a number of residencies in Scotland and the North of England. I then trained to become an Art teacher. I try to find time in school holidays to continue to make my own work.
My working method has have always involved working with a mixture of materials mostly found. I use a spot welder a lot but use a variety of different methods form electro etching to no more nails. My work has various themes ranging from horses to movie stars. I have recently become interested in cross sections and vintage diagrams and this is what some of my work is based on.”

Right: ‘Fish 3’ Mixed media. 50 x 20 x 8cm high

VIEW DAN’S WORK

Kathryn O’Kell

Kathryn O’Kell trained at Wolverhampton Polytechnic. She lives and works from her studio in Worcestershire
Kathryn works mainly in English Lime wood, carving and painting birds from tiny wrens to swans. Her strong compositions have wonderful movement, texture and colour.
They make wonderful unique presents.

Right: ‘Goldfinch in a Gold Field’  Carved  & painted Limewood. 10 x 18cm

VIEW KATHRYN’S WORK

Archie Kennedy

“After completing a BA Hons degree in Ceramics at Bath College of Art in the 1990s I went on to pursue a career in TV and Film as a prop and model-maker.
I now work from a barn in Shropshire as a contemporary artistic and architectural blacksmith.”

Right: ‘Antarctic Circus’ Cast bronze. 30cm high

VIEW ARCHIE’S WORK

Guy Royle

Guy Royle’s jewellery inhabits a space between the definitions of Art and Craft; mingling influences from both, yet never so far as becoming exclusively one or the other. Brooches are paintings in metal, necklaces are sculptures for the human form, while the tones, shades and textures of raw materials are his palette. This combination of elements brings a timeless and natural quality to his work. What is more, Guy’s jewellery is graceful for its functionality; whatever beauty stems from his work, has derived, and is inseparable from its intent to be worn.

Right: Fretted silver bangle.

VIEW GUY’S WORK

Nigel Lambert

Nigel lambert’s pots are both decorative and useful. He began his love of pottery and paintings whilst at art college in Cornwall. His interest in the work of abstract painters, particularly Roger Hilton ,Terry Frost, Patrick Heron and other artists from the Cornish peninsula; has influenced his work and the decorative marks he makes. His work is approached not as a painter, but as a potter.

Right: Medium oval jug

VIEW NIGEL’S WORK

VIEW EXHIBITION
Out
sold
A grey-blue blanket
A grey-blue blanket
£960.00
Mixed media on aluminium panel 25 x 75 x 4cm Does not require framing and can be hung directly on the wall.    
was last modified: December 15th, 2020 by hugh

Zoë Taylor

Bare Faced
Bare Faced
£865.00
Mixed media on aluminium panel 40 x 50 x 4cm Does not require framing and can be hung directly on the wall.
was last modified: January 23rd, 2021 by hugh

Zoë Taylor

Escalate
Escalate
£765.00
Mixed media on aluminium panel 40 x 40 x 4cm Does not require framing and can be hung directly on the wall.
was last modified: January 23rd, 2021 by hugh

Zoë Taylor

Out
sold
Fleeting
Fleeting
£950.00
Mixed media on aluminium panel 50 x 50 x 3cm Does not require framing and can be hung directly on the wall.
was last modified: December 15th, 2020 by hugh

Zoë Taylor

Out
sold
Given Boundaries
Given Boundaries
£1,150.00
Mixed media on aluminium panel 50 x 70 x 4cm Does not require framing and can be hung directly on the wall.
was last modified: December 16th, 2020 by hugh

Zoë Taylor

Out
sold
The House on the Hill
The House on the Hill
£1,400.00
Pastel. 14" x 16" Framed
was last modified: January 15th, 2021 by hugh

Sue Campion RBA

White Cup holding Blue Tree
White Cup holding Blue Tree
£285.00
Mixed media drawing. 31 x 31cm Framed
was last modified: December 4th, 2020 by hugh

Eleanor Glover

Care for the World (Dawn Angel)
Care for the World (Dawn Angel)
£790.00
Stained glass. 294 x 213mm
was last modified: December 4th, 2020 by hugh

Tamsin Abbott

Warm Winter Fields
Warm Winter Fields
£245.00
Acrylic on board. 24 x 17.5cm Framed
was last modified: December 4th, 2020 by hugh

Carol Saunderson

On the Backroad I (Ar y ffordd gefn I) 2020
On the Backroad I (Ar y ffordd gefn I) 2020
£1,850.00
Charcoal on paper. 36 x 43cm Framed
was last modified: December 4th, 2020 by hugh

Eleri Mills

Marginal
Marginal
£960.00
Mixed media on canvas. 50 x 50cm Unframed
was last modified: January 23rd, 2021 by hugh

Zoë Taylor

Out
sold
Picking Apples
Picking Apples
£80.00
Press moulded and decorated slipware. 20 x 25cm
was last modified: April 15th, 2021 by hugh

Prue Cooper

What, has this thing appeared again?
What, has this thing appeared again?
£140.00
Press moulded and decorated slipware. 25 x 28cm
was last modified: March 6th, 2021 by hugh

Prue Cooper

Out
sold
Sheep by the Pond
Sheep by the Pond
£1,600.00
Pastel. 16" x 18" Framed
was last modified: December 4th, 2020 by hugh

Sue Campion RBA

The Beekeeper's Boy
The Beekeeper’s Boy
£1,100.00
Oil on linen. 70 x 70cm Unframed
was last modified: December 4th, 2020 by hugh

Ann McCay

Looking Back
Looking Back
£550.00
Oil on linen. 20 x 20cm Framed - 24 x 24cm
was last modified: December 4th, 2020 by hugh

Ann McCay

The Conversation
The Conversation
£550.00
Oil on linen. 20 x 20cm Framed - 34 x 34cm
was last modified: January 23rd, 2021 by hugh

Ann McCay

Boy Drawing
Boy Drawing
£550.00
Oil on linen. 20 x 20cm Framed - 34 x 34cm
was last modified: December 4th, 2020 by hugh

Ann McCay

Mantles of May (Mentyll Mai) 2020
Mantles of May (Mentyll Mai) 2020
£1,450.00
Acrylic paint and ink on board. 20 x 26cm Framed
was last modified: December 4th, 2020 by hugh

Eleri Mills

On the Backroad 2 (Ar y ffordd gefn 2)
On the Backroad 2 (Ar y ffordd gefn 2)
£1,850.00
Charcoal on paper. 36 x 43cm Framed
was last modified: December 4th, 2020 by hugh

Eleri Mills

Out
sold
February Tulips
February Tulips
£1,400.00
Pastel. 14" x 16" Framed
was last modified: December 5th, 2020 by hugh

Sue Campion RBA

Out
sold
Porthclais
Porthclais
£1,995.00
Pastel. 20" x 24" Framed
was last modified: December 5th, 2020 by hugh

Sue Campion RBA

The Grand Staircase, Powys Castle
The Grand Staircase, Powys Castle
£950.00
Gouache on board. 48 x 27cm Framed
was last modified: December 4th, 2020 by hugh

Matthew Wood

Back Room at Gregory's general store, Black Country Museum
Back Room at Gregory’s general store, Black Country Museum
£620.00
Gouache on board. 40 x 27cm Framed
was last modified: December 4th, 2020 by hugh

Matthew Wood

Out
sold
View to the Garden, the Judge's Lodging
View to the Garden, the Judge’s Lodging
£450.00
Gouache on board. 30 x 15cm Framed
was last modified: December 5th, 2020 by hugh

Matthew Wood

The Brecon Beacons from Clee Hill
The Brecon Beacons from Clee Hill
£420.00
Oil on board. 12 x 29.5cm Framed
was last modified: December 4th, 2020 by hugh

Matthew Wood

Out
sold
West from Caer Caradoc towards the Stiperstones
West from Caer Caradoc towards the Stiperstones
£380.00
Oil on board. 13.5 x 18cm Framed
was last modified: December 5th, 2020 by hugh

Matthew Wood

Aron Fawddwy, Winter Sunset
Aron Fawddwy, Winter Sunset
£320.00
Oil on board. 9.5 x 17cm Framed
was last modified: December 4th, 2020 by hugh

Matthew Wood

The Winter Sun Sets as I Drive Home
The Winter Sun Sets as I Drive Home
£125.00
Acrylic on board. 18.5 x 14.5cm Framed
was last modified: December 4th, 2020 by hugh

Carol Saunderson

Frost and Mist in the Hall Garden
Frost and Mist in the Hall Garden
£395.00
Acrylic on board. 42 x 42cm Framed
was last modified: December 4th, 2020 by hugh

Carol Saunderson

When the Light Washes over Us
When the Light Washes over Us
£395.00
Acrylic on board. 42 x 42cm Framed
was last modified: December 4th, 2020 by hugh

Carol Saunderson

Black Cup with White Flower
Black Cup with White Flower
£285.00
Mixed media drawing. 29 x 29cm Framed
was last modified: December 4th, 2020 by hugh

Eleanor Glover

Red Cup with Pagoda
Red Cup with Pagoda
£365.00
Mixed media drawing. 32 x 30cm Framed
was last modified: December 4th, 2020 by hugh

Eleanor Glover

Out
sold
Faun 6
Faun 6
£95.00
Ceramic. approx. 10-13cm high
was last modified: February 8th, 2021 by hugh

Sharon Griffin

Out
sold
Faun 1
Faun 1
£95.00
Ceramic. approx. 10-13cm high
was last modified: January 30th, 2021 by hugh

Sharon Griffin

People Must have Puddings
People Must have Puddings
£140.00
Press moulded and decorated slipware. 25 x 28cm
was last modified: March 6th, 2021 by hugh

Prue Cooper

Antarctic Circus
Antarctic Circus
£575.00
Cast bronze. 30cm w x 18cm h x 4cm d Limited edition of 8 Signed and numbered on underside
was last modified: April 19th, 2021 by hugh

Archie Kennedy

Out
sold
The Sentinal
The Sentinal
£875.00
Gouache on paper. 26 x 59cm Framed
was last modified: December 5th, 2020 by hugh

Peter Tarrant

Passing the Time
Passing the Time
£650.00
Oil on linen. 30 x 24cm Framed - 34 x 28cm
was last modified: January 23rd, 2021 by hugh

Ann McCay

An Interruption
An Interruption
£850.00
Oil on linen. 40 x 40cm Framed - 44 x 44cm
was last modified: December 7th, 2020 by hugh

Ann McCay

Revisiting the Artist
Revisiting the Artist
£950.00
Oil on linen. 50 x 50cm Framed - 62 x 62cm
was last modified: December 7th, 2020 by hugh

Ann McCay

Triangular Dish - stripe design
Triangular Dish – stripe design
£85.00
Handbuilt and decorated slipware. 20.5 x 20.5 x 5cm
was last modified: December 11th, 2020 by hugh

Nigel Lambert

Triangular dish - splodge design
Triangular dish – splodge design
£85.00
Handbuilt and decorated slipware. 20 x 20 x 5cm
was last modified: December 11th, 2020 by hugh

Nigel Lambert

Large oval serving dish
Large oval serving dish
£240.00
Handbuilt and decorated slipware. 52.5 x 22.5 x 5.5cm
was last modified: January 23rd, 2021 by hugh

Nigel Lambert

The Squire's Ghost
The Squire’s Ghost
£1,250.00
Gouache on paper. 76 x 47.5cm Framed
was last modified: December 14th, 2020 by hugh

Peter Tarrant

Out
sold
Deep Snow in Shropshire
Deep Snow in Shropshire
£1,995.00
Pastel. 20" x 24" Framed
was last modified: December 14th, 2020 by hugh

Sue Campion RBA

was last modified: January 12th, 2021 by hugh
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Gerald Dewsbury ‘Upon Going Bald’ with Kim Dewsbury, Akiko Hirai and Alex Walshaw
7 – 28 November 2020
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Winter Exhibition
20th November – 24th December 2021

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5th December - 24th December 2020'
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